My guest today is Margie Church, AKA Churchlady, author of romance/thriller novels with “SASS.” She tells me that stands for Suspense, Angst, Seductive Sizzle. Margie is a married mom of two children, and a Minnesota native. He writing career began early when she published in “McCall’s Magazine” in the sixth grade. Margie describes her professions as a mother and author whose guilty pleasures are great beer, real vanilla ice cream, and lobster. I couldn’t agree more with that list! Read More
Tag Archives: debut
MA: I am pleased to have visit with me today, Australian author Diana Hockley. Diana lives in a southeast Queensland country town, surrounded by her husband, Andrew, two 19 year old cats and four pet rats. She is a dedicated reader, community volunteer, and presenter of a weekly classical program on community radio. She and her husband once owned and operated the famous Mouse Circus which travelled and performed for ten years throughout Queensland and northern New South Wales. Now that the circus is sold, she is the mouse judge for the Queensland Fancy Rat and Mouse club shows!
Diana and Andrew also bred Scottish Highland cattle. Prior to 1995, her last occupation was medical transcriptionist specializing in Radiology at a major Brisbane hospital.
They have three adult children and three grandchildren.
Diana has had articles and short stories accepted and published in a variety of magazines, among them, Mezzo Magazine USA, Honestly Woman (Australia) the Highlander, Austin Times and Austin UK, Australian Women’s Weekly, It’s A Rats World, Solaris UK, Literary Journal of University of Michigan USA, Foliate Oak, children’s website Billabong. She was awarded Scenic Rim Art Festival prizes for poetry and fiction. Since that time she has published two crime novels, The Naked Room and The Celibate Mouse.
Now, that’s one of the most diverse – and interesting – backgrounds I’ve ever seen. How did you go from the circus to novels?
DH: I wrote a novel in 1971 which was rejected but deemed “worthy of merit.” After this, I didn’t write anything more until I attended university when I was in my 30s. Raising children was a fulltime occupation for a widow, so I didn’t write anything more until 2005, by which time I was living on a small farm in rural Australia, married again and on my own a great deal in the show season. I started off with articles about our animals – always a rich source of amusement for city magazines, then ventured some short stories and had some success there as well. It was a short step to novel writing after that.
MA: Did your professional career inspire your writing? Are any of your characters based upon real-life people with whom you’ve interacted?
No, my professional life – from which I retired in 1993 – didn’t inspire my writing, but I think some of my characters couldn’t help being heavily disguised as some people I know!
MA: I won’t ask which of them resemble rats! Tell us about your stories.
DH: My debut novel, The Naked Room, fits into the crime genre, the idea for which came to me one night when I was in the studio at the radio station. What would happen if the pianist didn’t turn up for the big concert? There would have to be a very good reason why not. So I set about creating one!
MA: How did you develop your protagonist?
DH: I allowed Ally Carpenter’s character to develop in response to her abduction and the personalities of her kidnappers. I once read that you have to listen to your characters, rather than trying to force them to do what you want (within reason of course) so that is what I tried to do and it seems to have worked.
MA: Is there a hero in addition to a heroine in your story?
DH: It’s hard to say who is the hero in The Naked Room. Is it her boyfriend who takes it upon himself to investigate the crime? Is it her father who holds himself together and works on the ransom money? Or are they both the hero? My heroine’s strength is that she refuses to give in. My hero’s strengths are neither of them are about to give up searching for Ally Carpenter.
MA: I understand you have more than one antagonist in the book. Tell us about them.
DH: Oh yes, there are three bad guys and one bad woman in this – but they too have an agenda other than money.
MA: Any real life experiences that flowed over into your stories?
DH: No, not really. I psyched myself into standing behind each character, listening to them speaking and the reaction of those around them – like reading a newspaper over someone’s shoulder. And I am sure they got a bit cranky with me sometimes (chuckling).
MA: So who migrates over from The Naked Room to your other novels?
DH: I have taken the main female detective from The Naked Room and given her the starring role in The Celibate Mouse. In this novel, the reader finds out what is happening to three of the protagonists from The Naked Room. For After Ariel, my next story, I have taken one of the characters from The Naked Room and made her the character. We find out what is going on with some of the Naked Room characters who were not in Celibate Mouse (some have moved on, it’s two years later) and Susan Prescott turns up again, now an Inspector. I don’t want to over-use the same characters beyond giving continuity to the series.
MA: Any last thoughts?
DH: It’s said that you should always write what you know, so my novels will always be set in small towns/rural/Australian city/UK or Wales and they will feature people whose lifestyles I understand and whose point of view I can put across. My stories will never feature high finance, spies or sophisticated political themes because I have no knowledge of these genres. I do know, however, how people keep secrets!
I tend to write my main characters in first POV and the rest in third, with the exception of The Naked Room which is very different, darker and more violent than The Celibate Mouse.
MA: Thanks, Diana! Please visit Diana Hockley’s website for more information about her writing: http://www.dianahockley.webs.com. Read More
MA: Help me welcome my guest today, Linn B. Halton. Linn lives with her husband Lawrence and Tiggs (a black and white cat with attitude) in Nailsworth. Linn describes Nailsworth as a lovely part of the UK referred to as ‘The Cotswolds’. It’s well known for gentle hillsides (Wolds) and sleepy English villages. She has two sons and three grandchildren, whom she adores. So what did you do before becoming an author?
LH: For twenty years I was involved in financial accounting, specialising in forecasting and budgeting. A change in lifestyle in 2004 saw both my husband and I giving up our careers to spend a couple of years renovating and extending two old cottages and a hunting lodge. We both loved being hands-on and taking on a large share of the work ourselves. We both took part-time jobs and I worked for a local Estate Agent (Realtor) showing people around properties. However, my hobby of designing interiors turned into a new career, when I was asked to furnish a newly built Show Home for a local property developer. At the end of 2008 I became very worried about my mother’s health and gave up work to spend time with her. Sadly she passed away in March 2009, which was when I decided to write full-time.
MA: What brought you to novel-length fiction?
LH: I began writing poetry at the age of eleven and then found myself watching ‘The Man From Uncle’, I would write my own little ‘episodes’. As an adult I found juggling family life, a career and our hobby of buying homes that needed renovation work, meant that writing had to be put to one side. I continued to write poetry for fun and kept a small journal, where I recorded ideas ready for when I reached that time in my life, when I could sit down and write ‘a novel’. As a birthday present to myself five years ago, I gave up watching TV each evening and wrote my first manuscript – just to see if I could write something from start to finish. It made me realize that when the time came I was ready, but I had no idea when exactly that would be. I began writing immediately after my mother’s death, as a way of giving my mind something positive to focus on, during those difficult early months. It was at that point that I decided that fate had intervened and given me the opportunity I had been seeking for so long. I realised that many of the ‘ideas’ in my journal would give rise to novel-length stories, so I began bringing them to life!
MA: I’m sorry about your mother, and while each of us finds inspiration in different ways, I think you turned your sadness into something positive, empowering. Tell us about your novel.
LH: My debut novel ‘Touched By The Light’ was released in February 2011, and this was the first novel I wrote shortly after my mother’s death. At the time I felt a strong psychic link to spirits around me. The opening sequence, where a young woman named Mya is ill in hospital and ‘follows the light’, was based on a near-death experience that had happened to my father many years before. At the time I was at his side, holding his hand and he had described to me in detail what was happening to him, as he battled to stay alive following a serious cancer operation. I believe it was his incredibly strong willpower that pulled him through that night, but what was amazing was that afterwards he no longer feared death. He still had a lot of living to do, but he’d felt the ‘welcome’ waiting for him on the other side. Whilst he was ‘out of his body’ he had also spoken to his mother, who was waiting on the other side of, what he described as, a bridge that disappeared into a bright light. I went on to write another three manuscripts in 2009/2010 and found that I had my genre – I wanted to write about psychic or astrological connections, and true-life love and relationships. So I would describe my genre as contemporary women’s fiction with a psychic or astrological theme. However, I will shortly be releasing on Kindle an account of some of my psychic experiences entitled ‘Being A Sceptic Is Oh So Easy’. Some of the things I have personally witnessed, and that have convinced me beyond a shadow of a doubt that there is life after death, may strike a chord with those who have lost loved ones, or had similar experiences. For me it’s very much about ‘seeing is believing’ and it is now a part of my daily life, so it is only natural that it should feature quite prominently in my novels.
MA: What made you choose to write ‘Touched By The Light’ through the eyes of five of the main characters?
LH: This is a story that has a lot of twists and turns, but also explores the way the ‘baggage’ we all carry around with us, can make our relationships more complicated than they need to be. It’s often as much about what we leave unsaid, as what we decide to share. Working on two different ‘planes’, and remembering that Mya is rather isolated when she moves on and has little control over when she is pulled into other people’s lives, was fascinating to write. To then be able to expand upon her limited perception of what was happening, and see it from several other different viewpoints, helped me steer the reader through the plot in a meaningful way. It’s a feel-good story about psychic connections between people on different levels of existence, and the two worlds become curiously entwined. Mya suddenly finds herself involved in the lives of Laurel and Dan, a young couple she didn’t know in this life and who seem to be on the verge of breaking up. She can only assume she is supposed to help them, but her efforts are often misguided, cause amusement or result in things getting broken. It’s all about life and love, the things that hold us back; the mistakes we make and the things we don’t say, but should. But when fate is involved anything can happen, although there are no guarantees that even soul mates can find their way through. The journey they take is filled with all the emotions life has to offer and an insight into Mya’s new reality beyond ‘the light’.
MA: My Child Finder Trilogy features a psychic protagonist, but I must confess I cannot claim to have had any real-life experiences with the paranormal. Were any of the psychic experiences in your story based on real life incidents?
LH: Yes, my personal experiences do inform the way I describe psychic connections. I’ve had so many experiences over the years and fortunately most of them have been good ones. Some have been connected to properties, but many others are simply loved ones who have passed on and are around me, supporting me and giving me guidance. On the rare occasion I have been in the presence of a ‘bad’ vibe, I’ve turned around and run away as fast as my legs would allow me to! In ‘Being A Psychic Is Oh So Easy’ I explain why it took me so long to acknowledge something that had been proven to me time and time again. I’m afraid the short answer is, that being a sceptic means you don’t have anything to explain or prove; however there came a point in my life where my husband and I both started to see ‘things’ at the same time. That’s not something you can easily explain away, you run out of excuses and that was the truly scary part – acceptance!
MA: What other projects do you have planned for the future?
I have three manuscripts that are stand alone stories, one involving astrology and the other two psychic connections, but handled in very different ways. I hope to have these published in 2011/2012 and further information can be found on my website http://linnbhalton.co.uk.
At some point I would like to write a sequel to ‘Touched By The Light’, as it would be fun to take the main characters into the next phase of their lives. The wonderful thing about having help ‘from the other side’, is that I never know what is going to pop into my head next. Every time I have a new psychic ‘experience’ I find myself weaving it into a storyline and the past year has been increasingly active. My personal interest in the subject of life after death and the research I have carried out for some of the stories, seems to be opening me up to an even wider spectrum of experiences. I have to say that I think the projects pick me, and not the other way around!
MA: Linn, thanks for stopping by today for a visit. I’d love for my readers to visit your website to learn more about you and your books.
MA: My guest today is Graham Storrs, a writer who lives in quiet seclusion on a bush property in Australia. He trained as a psychologist in the UK and, after a career in artificial intelligence and human-computer interaction research and software design, now shares his time between his family, writing, and the beautiful forested hills of his adopted home.
Graham, welcome aboard! Tell us how you became a storyteller.
GS: There never was a prequel really, just parallel lines. I’ve always told stories from as early as I can remember. When I got older, I started writing them down. Meanwhile, I went to school, then university, got jobs, did research, had a career. And all the time, I was writing. Strangely enough, I only took seriously the idea of publishing my fiction about two years ago. Before then, I hadn’t published anything (except non-fiction). Since then, I’ve published ten short stories and my first novel.
MA: Why did you choose to write novels?
GS: I didn’t really choose to at all. For most of my life I was happy writing short stories, but the stories kept getting longer and longer. In the end, I stopped trying to keep them short and started writing book-length stories. I still write shorts now and then (I bundled up a few related stories and put them out as an ebook on Smashwords recently) but I feel very cramped in anything smaller than a novel these days.
MA: Tell us about your début novel, TimeSplash.
GS: TimeSplash is a science fiction thriller – a fast-paced, near-future story about a couple of people – Jay and Sandra – who get caught up in a time travel party scene that wrecks their lives. After that, they each devote themselves to bringing down the guy responsible – a supercool villain named Sniper. Sniper quickly graduates from murderer to big-shot terrorist and is planning to use a temporal anomaly to destroy a capital city. When his two pursuers join forces to track him down, they find themselves and each other along the way.
MA: Who’s the main hero or heroine?
GS: My main protagonist is Sandra. I wanted to create a heroine with huge problems, so bad they sometimes incapacitate her, and a task so hard that anyone would regard it as impossible. And I gave her the curse of being breathtakingly beautiful – something which, perhaps more than anything else, blights her life, On the very first page of the book she is in desperate trouble – and then things get worse and worse. All that she has going for her is an unstoppable will to succeed and an ordinary goodness that is often hard to find.
MA: What about your antagonist, Sniper?
GS: Outwardly, he is handsome and suave, a confident, powerful man, but Sniper also has problems that have left serious psychological scars. Throughout the book he teeters on the brink of a self-destructive downward spiral. The world, to him, is on the verge of chaos and the only way he knows to avoid being consumed by it, is to become its master, smashing and destroying on a massive scale to lead chaos by the nose and make it do his bidding.
MA: Your background in AI and human computer interaction is intriguing, and I’m sure (tongue-in-cheek) that you’ve no real experience with time and space travel, but did any other real life experiences factor into the plot at all?
GS: Most of the places in the book are places I know – London, Brussels, Berlin, Paris. The characters are mostly composites of people I have known – even Sniper is not as uncommon a type as you might suppose – but I have exaggerated or magnified them somewhat, to amplify the drama.
MA: Will there be a sequel to TimeSplash?
GS: Since I finished TimeSplash, I have written another near-future sci-fi thriller – a space-based adventure based on how the religious right will deal with the first transhumans. I’m looking for an agent for that one at the moment. Right now I’m writing the first book of a three-book space opera set thousands of years in the future, finishing a sci-fi comedy based in the present day, and planning a spooky sci-fi noir story about a rather unconventional alien invasion.
TimeSplash was really a stand-alone story. However, I left at least one hook in there for another book, in case I ever feel the urge. I have written two short stories set in the same world. In one of them my two protagonists meet again after fifty years. I haven’t tried to publish it because it’s a sad encounter and I don’t know if I really want that to be their destiny.
MA: How can people find you online?
I use Twitter just about every day and I’m always pleased to meet new people. Anyone can reach me at http://twitter.com/graywave (@graywave)
I also have a blog in which I write about my life as a struggling new writer http://grahamstorrs.cantalibre.com
And TimeSplash itself has its own website and blog http://www.timesplash.co.uk
Thanks for having me over, Mike. It’s been great. I hope you’ll do me the favour of letting me have you as a guest on my blog one day soon.
MA: Audrey RL Wyatt is right brained to a fault, so she tells me! Before attacking prose, she exhibited photography in juried shows and worked in theatre; acting, teaching and creating children’s theater curricula. So it was surprising that her writing career began in the non-fiction realms of politics, environment and law.
Finally succumbing to her creative nature, Audrey now writes fiction. Her debut novel, Poles Apart, is a story of family inspired by Audrey’s childhood among Holocaust survivors in Cleveland. Whether it was their silence or the horrific stories they told, their presence left an indelible mark. It has been honored with five awards. Her essays and short fiction, often featuring strong-willed, quirky women, have been published in various forums, both print and online.
Always one to foster aspiring artists, Audrey founded Southeast Valley Fiction Writers near Phoenix, Arizona, and Bay State Writers in Southeast Massachusetts. She gives a good deal of time to area schools and also teaches Memoir Writing to seniors. She is a partner in LitSisters Publishing, a boutique house publishing women writers, as well as a founding member of LitSisters, a networking and support community for writers.
Audrey loves to travel and has enjoyed living all over the country, from the Rockies to Boston Harbor. She currently makes her home in the Valley of the Sun with her incredible husband, their two terrific teenage daughters, and their beagle-basset mix, the Artful Dodger.
(Smiling) So, tell me more about this right brain and how you ended up in the fiction realm.
AW: I’m as right brained as they come. I started in the theatre at the advanced age of six and by the time I finished high school I’d tried every art that didn’t require fine motor dexterity. I wrote a lot, mostly nauseatingly syrupy poetry, and I acted. My mother called me “Audrey Heartburn.” I spent a lot of time on photography after that, having my work exhibited in juried shows. I worked my way through college teaching children’s theatre and creating children’s theatre curricula.
I got my education – college and grad school – and after some time spent at Legal Aid and County Children’s and Family Services I decided to stay home with my kids and write.
MA: You’ve mentioned poetry, and of course I know you’ve written a novel, but is there anything else?
AW: I also write short stories and essays. I think the story finds the writer and dictates what form it will take. But I love the novel form most of all. You have the time to stretch out and relax, letting the story unfold like a beautiful flower.
For me, writing is an exercise of will. On one hand, I will the story to come. On the other, the story will haunt me until I give it voice.
MA: Well said! Tell us about your first novel.
AW: I am a women’s fiction writer. I feel passionately about the stories that resonate with women. Women wear so many hats that nothing is ever simple. I find that intriguing. Poles Apart, my debut novel, is a story of family, of secrets, and of the damage that secrets can do, even over generations. Here’s the book blurb:
CHAIM SCHLESSEL lost his family to the Holocaust more than sixty years ago. He vowed to embrace life and protect his own wife and children from his painful memories and harrowing experiences. Finding solace in his family, his painting and the healing effects of his wife’s cooking, he has kept his nightmares at bay. But when a new neighbor unwittingly triggers the terrors of his past, Chaim is faced with the horrors that increasingly haunt his soul and threaten his sanity.
DAVID SCHLESSEL, grown, married and successful, is plagued by the always taboo subject of his father’s suffering at the hands of the Nazis. As a second generation survivor, he struggles with his father’s unwillingness to discuss the past and his own inability to communicate with those he loves. With his marriage falling apart and his relationship with his own children deteriorating, David, after numerous false starts, ultimately vows to conquer his inner turmoil.
UNITED BY A HISTORY they cannot discuss, yet starkly alone in their private struggles, father and son confront their demons as well as one another in a stand-off that will change them both forever.
All my short stories and essays can be found on my website: www.audreyrlwyatt.com.
MA: The storyline sounds complex. I take it there is more than one hero?
AW: Mine is a parallel plot novel, so the father and son protagonists – Chaim and David – are based on an amalgam of people I knew growing up in Cleveland in the 1960s and 1970s. This is also true of the supporting characters in the novel. I find that once a character is created (and I do a very detailed character chart on each of my characters) they develop a mind of their own and take their story where they see it going.
MA: How about an antagonist?
AW: There is a nemesis in the story. But the bigger nemeses are in the character’s minds and hearts. Their struggles are both internal and external. This is an area where art imitates life. I think people struggle more with internal demons than the external forces that set upon them.
MA: You came to know Holocaust survivors early in your life, and their stories and experiences inspired Poles Apart. Please elaborate.
AW: Well, Chaim is a Holocaust survivor and I grew up around a lot of Holocaust survivors. I heard horrific stories when I was far too young to understand them/put them into context. In fact, it’s interesting how differently we interpret information at different times in our lives. I found the holocaust stories more horrific as an adult than when I initially heard them as a child. As a child it was information without context. But as an adult I had so much more experience and understanding to apply to the information.
MA: Are you working on any new projects?
AW: I’ve just started a new novel called Women’s Work. It’s about four women, life-long friends, who recreate their graduation road trip on its twentieth anniversary. Their lives are now complicated, their baggage much heavier. They have secrets – demons they need to exorcise.
I also have another project in the works called Happy Trails. I originally wrote it as a sitcom treatment and have plans to novelize it.
MA: It sounds like you write standalone novels, and nothing that necessarily lends itself to a sequel. Am I right?
AW: I tell a story until I’m done with it. It all happens in one novel. I don’t really envision any of my books garnering a sequel. As for migrating characters, I won’t completely discount it. But, having lived in a number of places, I set my stories all over the country so the characters are unlikely to meet.
MA: I don’t always ask this question, but why do you write?
AW: I was listening to NPR the other day and they were talking about why writers write. Talk about the coolest topic ever. Though I didn’t listen to the entire show (my work is a demanding taskmaster) I didn’t hear anyone talk about how social media effects the answer to that question. I think everyone wants to be heard above the din. That’s one reason why twitter and facebook are so popular. It’s a way for people to make a mark on the world. For me, writing is how I make my mark. It’s how I am heard above the din.
Along time ago I said, probably flippantly, that if I could affect another person – if my writing could speak to them in some way that benefited them – then I would consider myself a success. Well, like most writers I scan the reviews from time to time. On the Barnes & Noble site there is one lone review. In it, the reader said that he read the book and liked it but that he’d recently had a personal problem that caused him to return to the book. He read it a second time and found help for himself from the characters and story. In other words, something that I wrote helped him. It took my breath away. I spoke to someone through my story, through the characters I created. And that person benefitted. All I could think was that this is what success feels like. It still brings tears to my eyes. The point is that what we as writers do matters and success doesn’t have to be about the NYT best sellers list. Though that wouldn’t hurt.
MA: I second those sentiments. Thanks, Audrey. My readers can learn more about Audrey RL Wyatt and her stories at: http://audreyrlwyatt.com/
MA: Please help me welcome my guest-blogger today, Mike Markel. Mike has published a number of short stories and nonfiction books. His collection of stories, Miserable Bastards, is on Scribd at http://www.scribd.com/my_document_collections/2509786. Big Sick Heart is his first novel. During the day, he is a writing professor at Boise State University.
Welcome, Mark. Please tell us more about your background.
MM: I’m a writing professor at Boise State, specializing in technical writing. I’ve published seven other books, mostly textbooks and scholarly books about writing and ethics. I’ve also published a bunch of short stories, some action-based, some more literary.
MA: With that background, and those non-fiction credits to your name, why did you decide to write fiction?
MM: I wanted to try my hand at another kind of writing. I’d like to be able to make the transition from mostly non-fiction to fiction. Fiction writing is simply more fun for me as a writer. The challenge, of course, is the familiar one: figuring out how to get my novel noticed and read, so that I can keep writing more. My blog, Fears of a First-Time Novelist (http://mikemarkel.blogspot.com), chronicles my thinking about this challenge.
MA: I think all writers experience those fears as they approach the business end of writing – getting published! Tell us about your debut novel.
MM: Big Sick Heart is a police procedural set in the small town of Rawlings, Montana. Karen Seagate, the Chief’s least favorite detective, is currently imploding. Her marriage has fallen apart, and she is drinking way too much. Her new, young Mormon partner, Ryan Miner, has just arrived from another century and another planet. Their latest crappy assignment is to provide security to a couple of guys debating stem cell research at the local college. But when one of the debaters, Arlen Hagerty, is murdered that night, what had been a boring job becomes a high-profile case.
There are plenty of reasons why someone would want to kill Hagerty. His wife and his mistress each had motive, means, and opportunity, as did his debate opponent. So did the man whom Hagerty pushed from his job as he clawed his way to the top, as well as the local politician whom Hagerty had been blackmailing.
Seagate and Miner are closing in on the murderer. The question is whether they can get him before Seagate destroys herself.
MA: That’s intriguing, especially the science fiction and fantasy elements of time and space travel. Tell us more about Karen Seagate.
MM: I didn’t think of her the way most writers would: as the best detective in the department, the best at this or that. I conceived of her as a character who might appear in a non-detective fiction book, a 42-year old woman with the normal set of family and identify and personal problems, who just happens to have a considerably more dangerous and stressful job than most people have.
Her strength is that she an intelligent, sensitive person with a strong moral compass and a willingness to risk everything for what she believes is right. Her most obvious flaw is that the stresses in her life, including a failed marriage, a kid in trouble, and an alienation on the job, have led her to a serious drinking problem.
MA: I understand you plan to use Karen in future stories, but what about an antagonist? Will you have a familiar nemesis in later novels in which Karen appears?
MM: No, there will be different nemeses in each book. Her real recurring nemesis is herself.
MA: Oftentimes when I have crime/detective fiction writers on my blog, they have backgrounds in law enforcement from which they draw to inspire their stories. How about you? Have you had any personal experiences with your storyline that influenced the plot?
MM: The murder at the center of the plot relates to ethical, political, and economic issues about stem-cell research, a subject on which I have strong views that derive from some personal factors.
MA: Interesting. Let me get back to Karen for a moment since you indicated there are more stories in the works featuring her. Tell us about your plans.
MM: I’m at work on the sequel to Big Sick Heart, which is tentatively called Unacceptable Deviations. Because Big Sick Heart is a series novel, the follow-up will feature Karen and her partner, Ryan. This time, the case relates to a murder of a state legislator by a lone wolf who has broken away from the patriot movement.
MA: Very good. I’m sure your readers will be looking forward to your sequels and new adventures for Karen and Ryan. Thanks for guesting today. Is there anything else you’d like my readers to know?
MM: I want to thank you, Mike, for giving me an opportunity to talk with your readers. I’d like to invite everyone to visit my blog (http://mikemarkel.blogspot.com) and sample Big Sick Heart online, at BooksForABuck.com (http://www.booksforabuck.com/mystery/mys_10/big-sick-heart.html). (While you’re there, you can read about the special offers and the “$100 for 100 Readers” contest.) The book is also available at Smashwords (at http://www.smashwords.com/books/view/15261). For paperback, please visit Amazon (at http://www.amazon.com/Big-Sick-Heart-Detectives-Seagate/dp/1602151229/ref=sr_1_1?ie=UTF8&s=books&qid=1279568281&sr=1-1) or Barnes & Noble (at http://search.barnesandnoble.com/Big-Sick-Heart/Mike-Markel/e/9781602151222/?itm=1&USRI=big+sick+heart).
MA: My very special guest today is the former host of Georgia Public Radio’s “Georgia Gazette,” Emilie P. Bush. Emilie has traded in writing the news for writing Steampunk. For those not familiar with this type of writing, it is a sub-genre of science fiction that typically takes place in the 19th Century, but features anachronistic technologies (like digital electronics during the industrial revolution).
Emilie’s debut novel, Chenda and the Airship Brofman, sends Chenda and her companions up in the air, across a desert, through a mountain and under the sea in a thrilling adventure. Emilie P. Bush lives and writes in Atlanta. Welcome to the Child Finder Trilogy! Read More
I write about Felix Gomez who went to Iraq as a soldier and came back a vampire. My stories are macho hard-boiled noir with a supernatural twist. In the latest adventure, WEREWOLF SMACKDOWN, Felix gets trapped between rival lycanthrope clans in Charleston, SC, and the impending rumble could doom the supernatural world. Read More